![]() ![]() And lastly, Doğan Kardeş is a realm of collective memory. The children loved that attitude, and they embraced Doğan Kardeş. ![]() ![]() It can be concluded that the perception of childhood from the said perspective of modernity shaped Doğan Kardeş’s attitude towards children. Secondly, Doğan Kardeş was a part of children’s culture. This was a humanist, democratic project that tended to determine the life style and mentality of the new middle and upper classes. Although the periodical changed throughout the decades, a certain set of values remained underneath. First of all, Doğan Kardeş was a project of its creators: the Yapı ve Kredi Bank, Kazım Taşkent and Vedat Nedim Tör the institute, the bourgeois and the intellectual. Using the periodical as the primary source, this study attempts to define the three meanings of Doğan Kardeş, as a project of its creators, as a legend of children’s culture, and as a lieu de memoire. Although Doğan Kardeş no longer survives, Yapı Kredi Yayınları has continued to publish children’s books under the title of Doğan Kardeş Kitaplığı since 1990. Along with the 1247 issues of the periodical, Doğan Kardeş also published more than 250 children’s books. The periodical was published between 19 under the auspices of the Yapı ve Kredi Bank. "This study aims to carry out a descriptive and a textual analysis of Doğan Kardeş children’s periodical, which is one of the best-remembered icons of Turkey’s popular culture. ![]()
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